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Anyway, the story is called "A Life for a Life". We'll see how this goes. It opens with minor villain Killer Shrike flying into a bank which has never known the touch of a criminal. He robs the bank, taking out guards, but it's only to keep him going until he gets a job. He decides that what he needs to do is advertise! However, he knows that if he makes himself too visible, then those superheroes will come down on him like a sack of hammers. As he makes his way home and hopes that the beings in Manhatten with powers far beyond the ken of mortal men ignore a bank robbery in the Bronx, we see a couple breaking up as it starts to rain. No idea if that'll have any bearing on anything, other than a segue to Peter Parker wishing the Osborns (in this case, Harry and Liz) farewell.
It may be worth mentioning at this point that Peter Parker seems to be channeling the fashion sense of Jimmy Olsen (click on any image for a larger version):
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Donna gets hit by a car pretty much immediately. Well, shoot. There goes my theory.
Peter dons his Spider-gear and he's off to catch the driver what done it. He catches him, finds out he was drunk, webs him to his car, and then heads off to find the ambulance carrying Donna. He switches back to Peter, finds out Donna needs a relative's kidney, and then heads off again to find Donnie. Donnie, who lives right across the hall from Killer Shrike. I don't see how this couldn't end well!
Spider-Man is busy trying to find out anything he can about Donnie's whereabouts, and to this end he breaks into Donna's apartment, goes through her personal belongings, and eventually finds Donnie's phone number. Unfortunately, Donnie is despondent over being dumped, so he's ignoring the phone. Eventually, he tears the phone off the wall and decides to go kill himself. Spider-Man is already off to Donnie's apartment, though.
So, sixteen pages into the story, we have Spider-Man swinging around town and trying to save the life of a girl he met on a bus by locating her brother, who is going to kill himself unless someone stops him, and who lives in the same apartment as a secretive super-criminal. Sixteen pages, folks, and nearly every panel is chock-full of story. Take that, decompression!
Anyway, Donna's condition is worsening, and Spider-Man is just finding Donnie's apartment. How he knows which apartment building is his, I have no idea. He's been web-slinging the whole time, and has only seen it from the air. Unless he can see the adress of the apartment building from two hundred feet in the air, or something. In any case, Killer Shrike sees him, and does his best Superman impression:
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I'll be frank with you: I've owned this comic for about six years now and never read it, so this was my first time through. I had no idea it was an anti-suicide PSA when I cracked it open, and I would have appreciated the message of this comic a few months ago. All in all, though, pretty decent. A good bit of decent story, a second-tier villain who gets taken out pretty easily, and the sort of personal drama which makes Spider-Man such an enjoyable hero. Best of all, it was self-contained. You could give this comic to some guy on the street and he wouldn't be left wondering what the heck was happening. Unfortunately, he wouldn't be thinking, "I gotta check out more of this Spider-Man" either. So, in the end, a pretty all right piece of comics.
Soon, I'll review the Spectacular Spider-Man from May 1995, and then from May 2005. We'll see what difference ten and twenty years can make.
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